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yumemigaoka2023-11-13 03:47 pm
beautifuldreamermods) wrote in yumemigaoka2023-11-13 03:47 pm
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Event #6: Deadly Ever After
“Even now, no one knows the secret that lies under the cherry blossoms in full bloom. Perhaps one might call it “loneliness.” But the man no longer had to fear loneliness, for he had become loneliness itself.”
Sakaguchi Ango, “Under The Cherry Blossoms In Full Bloom”
Welcome to our second Disturbance event! To recap for new players, Disturbances are surreal and dangerous dreamscapes that draw directly on the struggles, fears and emotions of a single character, similar to the TV world dungeons in Persona 4 or the Heartscapes in Blue Reflection Second Light. They're unique among Outlying Locations in that they vanish once resolved and incubate extremely powerful enemies at their core who must be defeated to save the person at its heart – in this instance, it's our very own Ango!
Using the descriptions in the log below, you may freely toplevel and have characters explore and investigate as you please! The descriptions given in this log are to give direction and progression to the events but please feel free to play around within the bounds of what's established as much as you like. Characters wishing to investigate and uncover additional hints and lore nuggets at the heart of the dungeon should indicate they are investigating in the comment header of their toplevel.
To clear the event and prevent a negative outcome on the plot that will effect both the Dream Sphere and Yumemigaoka, characters must clear both the Mid-Tier and Boss Combat Encounters by the OOC deadline of November 30th.
ARRIVAL
- As the mist between dreams begins to clear, Dreamers find themselves wandering through the narrow, crooked streets of a feudal-era Japanese city. Squat buildings made of dark wood and weathered plaster seem to sigh under the weight of their sloping, tiled roofs, paper windows shut tight against the cold night air and the prying eyes of strangers. A blood-tinged full moon hangs heavy in the sky, casting long, eerie shadows. Its cold light washes out all color, save for one… the soft petal pink of the cherry trees that line every street of this place. Tangled trees grow from gaps between buildings and from cracks in the stone pavement, laden with blossoms despite the mid-November chill.
While Ango’s dream looks like something straight out of a made-for-TV samurai drama, the ground is littered with the garbage of modern life: empty cans, snack wrappers, crumpled paper and cigarette butts. On closer inspection, most of the buildings are little more than shoddily constructed movie set pieces, empty on the inside apart from even deeper piles of trash.
The city spread in all directions, but the Dreamers’ destination is clear. Perched on a high stone bluff, the white walls of a samurai lord’s castle gleam in the moonlight. Even from a distance, it’s clear that the grand castle is a ruin, held together – or torn apart – by the roots of hundreds of massive cherry trees.
!THE TEMPLE
In this foreboding place, the old Zen Buddhist temple is an island of uneasy calm. Behind high stone walls, the temple’s ornate buildings and courtyards provide a safe spot for Dreamers to regroup. Savers have set up a medic station beneath the intricately carved wooden roof of the main hall. A towering (if somewhat dilapidated) pagoda makes the temple easy to find even in the maze of dark streets between it and the castle.
Despite the temple’s age, it’s clear that this place has been cared for. The ever-present garbage has been swept aside, so only fallen sakura petals cover its pathway. The main worship hall that would normally hold the sacred images of Buddha is empty, but there are still offerings of incense and rice wine on the altar where a statue once sat. Maybe Ango used to believe, but all that remains now is a lingering desire, a longing for something to believe in.
There are no Torments here, only the occasional Figment tracing meaningless patterns on the sand in the meditation garden.
Despite the temple’s age, it’s clear that this place has been cared for. The ever-present garbage has been swept aside, so only fallen sakura petals cover its pathway. The main worship hall that would normally hold the sacred images of Buddha is empty, but there are still offerings of incense and rice wine on the altar where a statue once sat. Maybe Ango used to believe, but all that remains now is a lingering desire, a longing for something to believe in.
There are no Torments here, only the occasional Figment tracing meaningless patterns on the sand in the meditation garden.
!NAMIKASE SHOPPING STREET
In the old days, large temples often had a nakamise – a row of open-air shops lining the street between the inner and outer gates of the temple precincts, selling everything from incense and prayer beads to snacks and souvenirs. This nakamise offers an even more baffling array of goods: ghoulish papier-mâché demon masks and suits of samurai armor alongside plastic rice cookers and vintage 90s fashion, daruma dolls and good luck charms next to broken mobile phones and expired bags of curry-flavored chips. The accumulated junk of Ango’s mind is stacked high, spilling off shelves and onto the floor. The open storefronts beckon curious Dreamers to step inside, but to be honest, most of the items for sale are nearly indistinguishable from the garbage on the ground.
⧖ HAZARD ALERT: As Dreamers walk past, they’ll hear clattering and groaning from within the shops. If they don’t quicken their pace, they’ll be attacked by a Torment formed from an aggregate of random items. With a TV for its head and many limbs made from broken guitars and umbrellas held together with cheap toys and old clothes, it’s not an especially powerful enemy… but it will continue to re-form itself from available junk until Dreamers manage to drive it back into its trashy lair, so it’s more troublesome than it looks.
Dreamers who jump onto the tiled roofs to bypass the Torment will find themselves smacked back down to the ground by a large, vaguely humanoid creature with huge wings covered in black feathers. It’s no angel, though… it’s a Torment in the shape of a tengu, the winged guardian spirits of mountain temples. This tengu wields a heavy iron staff, smashing roof tiles (and unlucky Dreamers) with every blow. Its face is covered by a scowling, long-nosed mask. While this physically powerful Torment will be a challenge for all but the strongest and most agile Dreamers, breaking its mask will cause it to dissipate into a cloud of feathers.
⧖ HAZARD ALERT: As Dreamers walk past, they’ll hear clattering and groaning from within the shops. If they don’t quicken their pace, they’ll be attacked by a Torment formed from an aggregate of random items. With a TV for its head and many limbs made from broken guitars and umbrellas held together with cheap toys and old clothes, it’s not an especially powerful enemy… but it will continue to re-form itself from available junk until Dreamers manage to drive it back into its trashy lair, so it’s more troublesome than it looks.
Dreamers who jump onto the tiled roofs to bypass the Torment will find themselves smacked back down to the ground by a large, vaguely humanoid creature with huge wings covered in black feathers. It’s no angel, though… it’s a Torment in the shape of a tengu, the winged guardian spirits of mountain temples. This tengu wields a heavy iron staff, smashing roof tiles (and unlucky Dreamers) with every blow. Its face is covered by a scowling, long-nosed mask. While this physically powerful Torment will be a challenge for all but the strongest and most agile Dreamers, breaking its mask will cause it to dissipate into a cloud of feathers.
!RESIDENTIAL AREA
Once Dreamers pass through the outer gate of the nakamise, they’ll emerge into a quiet residential district. The stately upper-middle-class homes have all fallen into disrepair, but glimpses into their walled gardens can be had through gaps in the decaying plaster. The cherry trees are larger and wilder here, their branches growing up through buildings and bursting through the uneven streets. Most of the buildings are dark and empty, but light flickers through the torn paper windows of one of the larger residences.
Upon entering the dilapidated estate, Dreamers will find that the flickering light comes from a series of old-fashioned film projectors that have been set up inside its rooms, beaming grainy black-and-white footage onto cracked walls.
Ango may be a novelist-turned-screenwriter, but here, he’s a movie star. The films consist of short, silent clips spliced from snippets of memory, all featuring Ango and three men who are clearly close friends. They laugh over glasses of bottom shelf whiskey in a Tokyo basement bar, they get shot down trying to pick up girls in Kabukicho, they crash on the floor of Ango’s apartment after all-night marathon writing sessions, they pose for stupid selfies at each other’s book signing events. But as Dreamers wander through the sprawling house, the films begin to change… one by one, Ango’s companions disappear. The lighthearted clips are interspersed with scenes of funerals, drunken arguments, and empty seats at the bar. Ango in bed staring wide-eyed and sleepless at the digital clock as it ticks over to 4:00 AM. Ango running, even though he knows that he’s already too late. Ango fidgeting in the smoky waiting room of a loan shark’s office. Ango punching a hole through the cardboard wall of his apartment. Ango trying not to cry. In the final reel, Ango is alone, drinking cheap shochu from a paper bag and wandering Tokyo’s streets at night.
When Dreamers finally leave the house, they’ll notice a splatter of fresh blood on the street.
⧖ HAZARD ALERT: While the house itself is free from dangers, Dreamers exiting the building will suddenly be attacked from above by bird-like Tormets that tear at their hair and clothes. In Japanese superstition, seeing birds at night is a bad omen. These may be smaller than the tengu before, but these black-winged creatures are still a danger to inexperienced Dreamers - they attack in swarms with their sharp beaks and clawed feet, and they seem determined to steal anything shiny… including Sandglass weapons!
Upon entering the dilapidated estate, Dreamers will find that the flickering light comes from a series of old-fashioned film projectors that have been set up inside its rooms, beaming grainy black-and-white footage onto cracked walls.
Ango may be a novelist-turned-screenwriter, but here, he’s a movie star. The films consist of short, silent clips spliced from snippets of memory, all featuring Ango and three men who are clearly close friends. They laugh over glasses of bottom shelf whiskey in a Tokyo basement bar, they get shot down trying to pick up girls in Kabukicho, they crash on the floor of Ango’s apartment after all-night marathon writing sessions, they pose for stupid selfies at each other’s book signing events. But as Dreamers wander through the sprawling house, the films begin to change… one by one, Ango’s companions disappear. The lighthearted clips are interspersed with scenes of funerals, drunken arguments, and empty seats at the bar. Ango in bed staring wide-eyed and sleepless at the digital clock as it ticks over to 4:00 AM. Ango running, even though he knows that he’s already too late. Ango fidgeting in the smoky waiting room of a loan shark’s office. Ango punching a hole through the cardboard wall of his apartment. Ango trying not to cry. In the final reel, Ango is alone, drinking cheap shochu from a paper bag and wandering Tokyo’s streets at night.
When Dreamers finally leave the house, they’ll notice a splatter of fresh blood on the street.
⧖ HAZARD ALERT: While the house itself is free from dangers, Dreamers exiting the building will suddenly be attacked from above by bird-like Tormets that tear at their hair and clothes. In Japanese superstition, seeing birds at night is a bad omen. These may be smaller than the tengu before, but these black-winged creatures are still a danger to inexperienced Dreamers - they attack in swarms with their sharp beaks and clawed feet, and they seem determined to steal anything shiny… including Sandglass weapons!
!BACK ALLEYS
Following the trail of blood will lead Dreamers to a neighborhood of narrow back streets that run alongside the river. Occasional paper lanterns provide just enough light to see by, but this is a place for people who don’t want to be seen. Dreamers will begin to experience the unsettling sensation that they’re being pursued through the twisting, claustrophobic streets. A faint odor of smoke lingers in the air, reminding Dreamers just how quickly this whole city could burn to the ground.
Dimly lit neon signs outside the cramped back-alley bars advertise cheap booze and all-you-can-drink specials, and the sound of Showa-period pop songs echoes from inside. If Dreamers peek inside, though, they’ll find that the buildings here are like everything else in this city: empty façades stapled together from plywood and cardboard, an illusion that falls apart under the slightest scrutiny. The tinny music is coming from an old cassette player.
Dreamers will notice that one of the bars is little more than a burned shell reeking of charred wood and gasoline, still faintly smoldering in the cold air. Outside, there’s more blood on the ground.
Something shiny glints from the floor of the burned wreck - a pair of cracked sunglasses. Ango’s sunglasses, the silly prescription-strength ones he always wears because he’s self-conscious about being nearsighted. The fake building went up in flames so quickly that some of its contents have survived, trapped under fallen debris.
⧖ HAZARD ALERT: Dreamers will find themselves constantly looking over their shoulders, unable to shake the feeling that something is following them. Whatever fears and worries they might be running from in the real world will manifest in the shadows, chasing them off the relatively well-lit path and into even darker, narrower side streets. It’s easy to get disoriented here, where the streets seem to bend back on themselves in ways that violate the basic rules of geometry. Dreamers will need to think clearly to find their way out, or risk being lost with only their own fears for company.
⧖ INVESTIGATION: Dreamers who investigate the wreckage of the fire will soon realize that they are being followed… by Ango himself!? He’s standing silently on the roof of the neighboring building, dressed in a formal samurai costume with a sword in his hand - a sword that’s still dripping with fresh blood. Besides him stands a mysterious woman wearing a pink kimono. With her long dark hair, she almost resembles a certain idol… but the glint in her eyes is cruel.
Dimly lit neon signs outside the cramped back-alley bars advertise cheap booze and all-you-can-drink specials, and the sound of Showa-period pop songs echoes from inside. If Dreamers peek inside, though, they’ll find that the buildings here are like everything else in this city: empty façades stapled together from plywood and cardboard, an illusion that falls apart under the slightest scrutiny. The tinny music is coming from an old cassette player.
Dreamers will notice that one of the bars is little more than a burned shell reeking of charred wood and gasoline, still faintly smoldering in the cold air. Outside, there’s more blood on the ground.
Something shiny glints from the floor of the burned wreck - a pair of cracked sunglasses. Ango’s sunglasses, the silly prescription-strength ones he always wears because he’s self-conscious about being nearsighted. The fake building went up in flames so quickly that some of its contents have survived, trapped under fallen debris.
⧖ HAZARD ALERT: Dreamers will find themselves constantly looking over their shoulders, unable to shake the feeling that something is following them. Whatever fears and worries they might be running from in the real world will manifest in the shadows, chasing them off the relatively well-lit path and into even darker, narrower side streets. It’s easy to get disoriented here, where the streets seem to bend back on themselves in ways that violate the basic rules of geometry. Dreamers will need to think clearly to find their way out, or risk being lost with only their own fears for company.
⧖ INVESTIGATION: Dreamers who investigate the wreckage of the fire will soon realize that they are being followed… by Ango himself!? He’s standing silently on the roof of the neighboring building, dressed in a formal samurai costume with a sword in his hand - a sword that’s still dripping with fresh blood. Besides him stands a mysterious woman wearing a pink kimono. With her long dark hair, she almost resembles a certain idol… but the glint in her eyes is cruel.
!CASTLE DUNGEON
Dreamers who skip the back alleys and proceed towards the center of the city will soon reach the fortified outer walls of the castle. Isolated on a sheer cliff cut by the river, the main keep can only be reached by a long stone staircase that winds through boulders and battlements. The path is frequently blocked by the thick, gnarled roots of cherry trees that have broken through solid stone. Petals float like snow from the hundreds of trees above, growing through the windows and walls of the ruined castle.
Finally, Dreamers will reach a courtyard that’s dominated by an even larger cherry tree encircled by sacred shimenawa ropes. The shimenawa mark the boundary between the mundane and the spiritual, the home of an enshrined deity. The enormous tree certainly has a divine presence, with branches outstretched over the courtyard like the many arms of the Buddhist goddess of mercy.
Passing warily beneath the sacred tree, Dreamers will find the castle gates open and unguarded. Those expecting the castle to be another hollow set piece will be surprised to find that the lowest level, the dungeon, is packed from floor to ceiling with books. Thousands upon thousands of books, all tossed into haphazard piles so dense that Dreamers are forced to climb over them in places.. Oil lamps set into the monolithic stone walls provide just enough light to read by, so they'll see that every book bears the same author's name: Sakaguchi Ango. But every novel is half-filled with blank pages, some trailing off after only a few lines of text. These are the stories Ango never finished. Amid the heaps of books are crumpled sheets of loose paper - rejection letters from publishing agencies, unpaid bills, and torn-out magazine articles featuring scathing reviews of everything Ango's ever written.
⧖ HAZARD ALERT: There's no obvious way to reach the upper floors of the castle. No staircase, no ladder, no crack in the heavy wooden beams that make up the ceiling. But fans of ninja movies and escape rooms will realize that this is actually a ninja trick house - a building designed with secret hiding places and concealed escape routes. Astute Dreamers will notice that there's an area of the floor that's suspiciously clear of accumulated junk - above it, a section of the ceiling can be pulled down to reveal a hidden staircase.
Making one's way across through the neck-deep mess of books and paper will prove to be treacherous, though. One careless move can cause an entire stack of books to collapse, and the piles of garbage provide precarious footing.
Finally, Dreamers will reach a courtyard that’s dominated by an even larger cherry tree encircled by sacred shimenawa ropes. The shimenawa mark the boundary between the mundane and the spiritual, the home of an enshrined deity. The enormous tree certainly has a divine presence, with branches outstretched over the courtyard like the many arms of the Buddhist goddess of mercy.
Passing warily beneath the sacred tree, Dreamers will find the castle gates open and unguarded. Those expecting the castle to be another hollow set piece will be surprised to find that the lowest level, the dungeon, is packed from floor to ceiling with books. Thousands upon thousands of books, all tossed into haphazard piles so dense that Dreamers are forced to climb over them in places.. Oil lamps set into the monolithic stone walls provide just enough light to read by, so they'll see that every book bears the same author's name: Sakaguchi Ango. But every novel is half-filled with blank pages, some trailing off after only a few lines of text. These are the stories Ango never finished. Amid the heaps of books are crumpled sheets of loose paper - rejection letters from publishing agencies, unpaid bills, and torn-out magazine articles featuring scathing reviews of everything Ango's ever written.
⧖ HAZARD ALERT: There's no obvious way to reach the upper floors of the castle. No staircase, no ladder, no crack in the heavy wooden beams that make up the ceiling. But fans of ninja movies and escape rooms will realize that this is actually a ninja trick house - a building designed with secret hiding places and concealed escape routes. Astute Dreamers will notice that there's an area of the floor that's suspiciously clear of accumulated junk - above it, a section of the ceiling can be pulled down to reveal a hidden staircase.
Making one's way across through the neck-deep mess of books and paper will prove to be treacherous, though. One careless move can cause an entire stack of books to collapse, and the piles of garbage provide precarious footing.
!CASTLE LIBRARY
Dreamers who make it past the trick staircase will be met with an awe-inspiring sight: the entire upper part of the castle is an enormous library, with bookshelves reaching up several stories into darkness. A network of dangerously narrow ladders, balconies and catwalks provides access to the upper shelves. The books are an eclectic, disorganized collection of the works of every storyteller who's had an impact on Ango, whether they ever wrote them down or not - from Edgar Allan Poe and Akutagawa Ryuunosuke and Agatha Christie to the nameless drunks who shared their life stories with strangers on the subway, all bound in rich leather like treasured tomes.
The cavernous room is lit by the haunting glow of floating paper lanterns, just like the ones sent down rivers on the last night of the Obon festival to guide the spirits of the dead to the next world. The floor here, too, is covered in paper and forgotten books. As Dreamers explore the vast space, a cold wind will sweep through and stir the loose pages. The library seems empty... but they aren't alone.
The cavernous room is lit by the haunting glow of floating paper lanterns, just like the ones sent down rivers on the last night of the Obon festival to guide the spirits of the dead to the next world. The floor here, too, is covered in paper and forgotten books. As Dreamers explore the vast space, a cold wind will sweep through and stir the loose pages. The library seems empty... but they aren't alone.
!THE FOREST
When Dreamers touch the sacred tree in the center of the castle courtyard, the air around them will momentarily shimmer... and they'll find themselves standing beneath the same tree, now surrounded by a castle in an even more advanced state of ruin than before. The roots and branches of countless cherry trees have completely consumed the library, eating through its walls and roof until little of the original structure remains. The trees bloom profusely until sakura petals blanket the courtyard nearly knee-deep in places, obscuring wide cracks in the pavement below. There's a madness to their beauty, a feral taint to their faint, sweet fragrance.
She’s been waiting.
She’s been waiting.
no subject
[Here with these Torments or later. At least they have figured a plan. A safe space to retreat to for now if they need it. Colette, Dreamer Angel, is relieved of that much at least. As she tries to help in attacking more of the Torments. Maybe if they take down enough of them the rest would flee? She isn't sure but it might be worth a try. And every one they do hit and take care of is one less that is attacking them either way. Some progress.]
no subject
It's hard to tell how far they are with that though when these bird Torments are so chaotic.. ]
D-Do you think there's less yet? [ She calls out, sending out another energy shot. ]
no subject
[Colette says as she tries to keep striking, to keep dealing with the Torments. That they were in sort of a bird like appearance did make it trickier but she is getting better about aiming, about using her chakrams both closer with melee attacks and also with using them for ranged attacks with Torments further away.]
You still alright?
no subject
[ It's hard to tell why Prisma doesn't respond right away, especially while they're still in the middle of fighting, which probably doesn't give Colette all that much time to look over at the other girl either.
Maybe she's just focused on the fight, and it makes speaking up a little bit more difficult. Maybe she isn't sure how she's doing, or maybe she does know, but just doesn't want to say it.
At least an answer does finally come from Prisma after a few moments of nothing. ]
I'm.. g-getting a little tired..
[ Apparently she is going for the honest answer, huh.. It does take a lot out of you, trying to fight these birds when you're already pretty stressed out about being in the Disturbrance in the first place. ]
no subject
[That hopefully whoever else next passes through the area might more easily be able to finish dealing with these Torments. They've made some progress for now but Colette doesn't want to push the other. So she easily agrees to head back to their designated safe space. Striking one last Torment and reaching for the other's hand to figure leading the way through the gap that she's just made.]
It was....this way? [Colette gestures to the left, checking to confirm with the younger girl.]
no subject
Especially when she looks over her shoulder, realising the birds are still following them while they're still among the houses. ]
Y-Yeah! It was! [ Her voice sounds a little breathy from all the effort and adrenaline. ] Quick, before they get us..!
no subject
[It is not like Colette is much of a leader either, more used to just rolling with whatever Lloyd wants to do before she moved here. More used to going along with others. But she is wanting to help keep the other safe, so of course she does her best in hurrying without going too quick that either of them might trip. She glances to watch her step while also ensuring that the Torments aren't following or at least not too close to them either.]
no subject
Hence the relief in her voice when she finally spots the temple not too far away from them. ]
Look, it's-- it's there! Right up ahead..!
no subject
[She doesn't mean to go too fast. Doesn't want to make the other stumble or anything. But she is aware they need to be quick to try and get away from the Torments. And Colette is trying to focus on getting them to safety. Getting the other somewhere safe. Trying to keep an eye on the Torments behind them, where they were going in navigating to the building the other points out. That there aren't more Torments ahead or something.]
no subject
Still.. They did have to run quite a bit to get back here in the first place, and it makes Prisma look utterly exhausted. The moment she realises they're within the walls of the temple and therefore safe - or at least, people had said Torments couldn't come in here, and who would she be to question that - she collapses onto her knees on the ground, panting in exhaustion. ]
T-That.. That was so much.. [ She manages to say between the exhausted breathing. ] Maybe this really still is too-- too much for me..
no subject
[Colette does not want to force the other. If she really does think this is not for her. But she is trying to reassure that it probably would get better, easier, once they got more experience with this, given the other seemed new the same way Colette was in figuring all of this yet. It takes her a moment as she catches her breath as well, her hands at her knees once they are safe inside. Before she places one hand at Prisma's shoulder.]
You okay?
no subject
Perhaps just a touch too quickly. Like the girl didn't fully think about that question, or think about whether or not she's really okay, before she's already answering. Like she's just sticking by some default answer, not wanting to worry Colette, even though she looks a little shaken up. ]
It's fine. This-- A Dreamer should be able to do this, so-- u-um, I'll be fine. I just need to catch my breath and go back out there..
no subject
[It isn't like Colette isn't familiar with Dreamers and the like. It's just one thing to figure learning about them in theory, on paper or hearing about them from others. Another to actually be out there doing this herself. Getting that first hand experience. For now she seems content enough to just at least get a chance to catch their breath. Giving them both some time to plan or at least that they can work together from here on and at least have a safe space to retreat to if they get in over their heads.]
But at least. We're together and we know we can come back here if we need.